Clarissa Pinkola Estés

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Listening to deep intuition

The waves of chattering thought crash noisily at the edges of the mind. The constant chatter is surface level, never still, always seeking something more. To say that something is surface level does not mean it it not important – the surface of the water is no less important than the depth, just as the skin is no less important an organ in the body as the others. Everything has a place, and yet this constant mind chatter draws much attention, it crowds out the murmurs of deeper waters.

Dr Clarissa Pinkola Estés, the iconic Jungian analyst and story teller, talks of listening to intuition as a sacred process. Life is presented to us often as like a smorgasbord, a catalog of what other people have and what we are taught to want. We can spend so much time focussed outward – seeking to fill ourselves with everything that is on offer, spread out before us, rather than listening to our deep intuition: to what we really want and need.

It is a difficult journey, into one’s subconscious, because no one else can show you the way through the labyrinth. You must feel your way along the walls, inch by inch. Similarly, no one can tell you what you intuitively need or want, or even exactly how to listen. However, between the waves of breaking thought, between the breaths, when there is nothing else to fill the void, the layers of consciousness may shift and your attention may be drawn, deeper and deeper, through them: closer and closer to deep intuition.

When you hear the calls of the deep self, like whalesong, they will feel familiar. They will resonate. They will be deafeningly obvious and clearly true. Yes. This was the message all along. This is how to nourish self. This is how to care for the world. The inner and outer work. The lessons. The journey. The reasons. The purpose. Here ebb and flow the currents that pull us in the directions we may have never realised we were always destined for.

What do I really need right now?

Show me

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The girl in the birdcage: fear and the victim/child/damsel archetype

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There’s a red-headed girl in a cage at the bottom of my psyche. She is the victim-fear-child. She grows and shrinks in age, and yells obscenities at me. Fear always makes her scream or flinch. I can’t fix her, can’t remove her. Her hair reddens at the sound of rain and she dissolves into poetry… face of porcelain… her dress is always white lace and she claws… and she sits with legs with legs crossed. I watch her. When I don’t watch her she reaches up into my life and wreaks havoc. With eyes on her she is confined to the cage.

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Her hair grows and shrinks. She screams at me until I turn away and draw bird cages, gold like her’s, on white canvas paper. I hold up a blank slate for her and she draws cages too. We laugh and I slide my fingers into the cage to find hers… dissolving into me.

I sit in the room and watch her. I cannot fix her of free her. Attempts only makes her violent. I visit her often and when I have extra… I feed her… peas and broth from a ceramic spoon. I reach my arms around the cage to find it dissolving, just a little, but it re-forms when I move away.

“It’s safe outside” I say, but if I remove the cage she only grows it back from the fear inside. It’s part of her. Some traumatised animals never leave the cage, even when the door is open… even when the cage is gone. The cage is inside their minds and the trauma continues in aftershocks. She knows this. She is this.

Awakened, she reaches up through the bars – a pain-body phantom. She claws at my heart and projects the pain into other people’s faces and my own personal failings. If I watch her, sit with her, she has company and sometimes she lets me scratch behind her ears. She responds to warmth… it melts the ice from the fear… melts the cage momentarily.

We watch each-other.

I can’t fix her…

but can I love her?

birdcage

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The dark moon: regeneration and cradling the self

Collage by Stephanie Wild http://stephanie.me.uk/

Collage by Stephanie Wild http://stephanie.me.uk/

In a world where we are constantly encouraged to shine, to compete, to perform, to do more, there is not much emphasis put on the other side of the cycle: on rest and renewal. When we find ourselves producing less, doing less, we tend to ask “what’s wrong?”. We tend to medicalise ourselves, and seek help for this problem of not being absolutely amazing all the time. Actually, the downswing of the cycle is just as beautiful as the expansion of growth, it is just quieter.

The dark moon is a time for reflection and regeneration. Dr. Clarissa Pinkola Estés tells a story about an old man who struggles through the dark forest towards the light of a small lamp in a hut. When he reaches the hut a kind woman takes him in her arms and rocks him… and rocks him… and rocks him… and just before morning he is a young man with golden hair, and she continues to rock him, until the very beginnings of breaking dawn, when she plucks three hair from his head and throws them to the half, and the man, now a little golden-haired baby, runs out the door, jumps into the sky and becomes the sun.

Even in the chaotic hectic lives that we find ourselves in, there is always be a corner of the psyche where that kind woman sits in her rocking chair. There is always time where we can visit her, even just for a moment, even just with a resting thought, a hot bath or shower, a hot drink, a solitary walk, a pausing glance toward the horizon, the minutes before sleep, where we are as cradled as we possibly can be. We need to rest. We need to heal. We need to consciously nurture the self.Do you hear yourself coming up with explanations and excuses of why you cannot possibly rest? That is normal, the mind wants to say busy, to reap reward. There are a million things that you would possibly do… go go go. But even one moment of dropping the pressures of the mind, of letting the world slip away and falling into deeper awareness is precious gold for the inner self… and every step towards deeper intuition is a step towards looking at things a different way, of shifting and dissolving tensions, of solving the problem from a deeper level than the one in which is was created.

This is a lesson in self-care and regeneration. It is not always the time to perform or shine. Our dreams and ideas and hopes need nurturing too, they need to be rocked sometimes. Take this dark moon, and the next and the next… take the two or three day before the new moon every month, to sit quietly at any possible moment, to walk quietly, to rock gently… to be in that space of nurturing. Take this sacred time to honor and cradle the self in whatever way possible. Take this time to heal, because healing is a natural part of growth, of life. When everything is moving so fast, stillness is powerfully transformative.

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The Predator Archetype (part three): Dreams of the Stalker


Last night I had another dream about him…

He is in disguise, this time. We meet in a darkened rain-washed street. We make eye contact and he introduces himself as, not the person I thought, not the one I trust, though equal in size and stature, but a slightly different name. With eyes that flashed cold daggers, and shorter darker hair, he asks me to come with him: “let’s have coffee”. “Another time, maybe”. “No”. He is insistent and pulls at my hand. I can feel the force and make a break – run as fast as I can, away from those cold dead eyes. He is fast and heads me off, behind steel buildings. He grasps me again as I struggle away. But this is public space, out here I scream “LEAVE ME ALONE” I look around and see the young family, the old man, pedestrians on this paved grey dreamscape. “I DON’T KNOW HIM” I yell to them – hoping they will take notice and help. This is not a joke, not a private matter. He is the predator… I am at a party now, with friends. We go out into the night to yell at the predators and scare them away. Behind us, someone turns out the lights in the strange old house. There is danger here, but he is just trying to scare us. It is working. I awaken in fear.

I wrote about the predator archetype before, and again, in relation to his history as the dark magician. He is major archana when it comes to archetypes – that dark force that seeks control, seeks to destroy the light force of the psyche. He is present when we walk dark streets at night. He is the rapist, the murderer, Bluebeard. He is the part of ourselves that seeks our destruction.

Probably, you would have these dreams too, sometimes. Probably, the predator is not entirely unknown to you, in your life experiences, traumas, projections and semi-conscious states. This deadly force invokes chilling scorpionic fear. It is potent, it is transformative, it can be devastating.

I’m not sure why I dreamed of him last night, but I suspect it is part of my recent inner-work, integrating my animus through the shadow, exploring the recessed and deep folds of tattered emotional memories, of abandonment, and anger; psychological abuse and powerlessness. Bringing this into the light is stirring something up.

Is it possible to master this destructive psychic force, to use in a conscious way, to prune the parts of self that are no longer necessary, or is it something that must be watched with a smoldering gaze until he is charred to cinders? Either way. Something is saying: PAY ATTENTION. Watch. Wait. Listen. Be aware… and be safe.

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Rescuing the princess, rebuilding the animus and growing healthy relationship archetypes

Recently I have been exploring the common archetype of the princess in the tower, in relation to my life. It is something that crops up from time to time, when I feel helpless or overwhelmed; I feel out of control, like a small child, powerless and desperate; I don’t think I can do things by myself. Whenever this pattern emerges I secretly wish for someone to rescue me, when really I know I always have to rescue myself.

Please excuse the gendered nature of the archetypes presented here – they actually don’t need to a particular gender, that is just the common representation… I do feel, however, that growing up without a healthy father figure/male role-model has stunted and warped the development of my animus, which I have been progressively healing/growing back over the last few years. The animus is commonly known as the ‘male’ or masculine part of the psyche, but is also associated with the warrior or rescuer archetype. If you didn’t have a present or adequate father/male role model, you may well be in the same boat.

Early on, we who need to rescue ourselves tend to fall into the trap of becoming the rescuer – of being attracted to wounded puppies who we think we can save with our love and guidance. This is a massive exercise in projection and gets quite circular. We are seeing our own damaged animus reflected back through damaged people and damaging relationships. Without a healthy animus, we are doomed to repeat this cycle. The good news is that, eventually, we can heal the major inner fractures in ourselves (if we need to). We can piece one together from the aspects of healthy ‘masculinity’ and strength we encounter in our lives. We can make a frankenstein animus and bring it to life – or re-grow an under-developed animus archetype until he reaches maturity – along with culling all the unhealthy/predator/shadow aspects we may have internalized from having painful or exploitative experiences with men.

Even when we have cobbled together a healthy representation of animus inside ourselves, we may find that we still feel tensions and anxieties arising from attachment and relationships – even with healthy significant others who are not wounded puppies. While being attracted to healthy (rather than damaged) people is a sign of significant healing progress, it doesn’t mean it’s all smooth sailing from here. Our new healthy animus still needs to be socialised. Invite him to sit down for a cup of tea. Build a good relationship with him. If you are projecting anxiety onto an external attachment, transfer this projection, along with your needs and desires to your inner animus and practice relating to this inner ‘other’ in a healthy and loving way. He can be there for you, love you, support you and rescue you in an insecure world. Through this inner transformation, the external world can mirror harmonious relationships back to you.

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I haven’t been living in the forest for a while…

The Forest

‘Living in the forest’ is a metaphor that I drew from Dr. Clarissa Pinkola Estés‘ monumental book ‘Women who Run With the Wolves’. The final story of the Handless Maiden is a journey of deep and total transformation, the healing part of this takes place over seven years of living in a forest. When I began this blog I was living in a forest and I was undergoing deep transformation and healing, so it seemed an appropriate title. The last two years (at least) have been overwhelmed by thorough psychological restructuring: Saturn in Scorpio, for me, especially by a very long Saturn return before it squared my Sun. It’s now right on top of my natal Mars.

For the past six months I have been sporadic with blogging. I’m trying to write my doctoral thesis, and I moved out of the forest and into the small coastal township nearby because I had been struggling to focus living where I was. To some extent I’m still ‘living in the forest’ in the self-work that I’m doing: in the processing and journalling, but in some ways I always have been doing this work.

I don’t know where I will live next or what I will do. Part of my recent processing has been about coming to terms with uncertainty and change – which are actually the only constants in life. For a long time I clung to the prospects of security – of owning property, of safety, of regular income… but while these things can be nice, they are not actually security or certainty, because that’s not a real-life thing, it’s a fantasy. Over the past two years everything has changed. I don’t want the same things and it surprises me. I don’t know why I want the things I do want, or why I’m drawn to the places that now seem so appealing. Even more surprising is my sense of stability and the noticeable absence of emotional trauma from my daily lived experience. I suppose these are some of the rewards of Saturn in Scorpio work. Anyway, I will continue to blog (more) regularly, because these sacred, private things are important to share, and because that seems to be a part of my journey.

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Letting go of symbolic parents

Many stories begin with letting go: one must let go of the safety of one’s home to adventure into the woods, a sacrifice is made, the protagonist surrenders their dreams only to rediscover them later, the good parents must die in order for the transformational journey to begin. There are so many stories of orphans (or half-orphans) – the Little Match Girl, Harry Potter, Hansel and Gretel, Cinderella, Vasilisa, and so on. Aside from the fairy-tale romanticism with orphans, there is a necessity involved in the death of the ‘too good’ mother, as Clarissa Pinkola Estés calls her, and sometimes the ‘too good’ father as well.  The safe world created and maintained by good parents is torn away and the story really begins.

If you came from a safe, nurturing family, there is a point at which you are likely to break free of the comfort zone and begin your own journey. Internally, you let go the ‘too good’ parental archetypes, they have become suffocating in their love and you need room to grow. Just as Maui split his parents apart, you crack open the protective world of childhood and emerge into a more dangerous place with more opportunities for suffering and learning. This is the process of the bud blooming into the flower, the seed sprouting. After a while the safety of the shell gets to be too restrictive, the pressure build and a new metamorphosis must occur.

If you had a tumultuous childhood, however, you may not know where to start. If you didn’t get enough of the ‘too good’ mother or father archetypes there is no pressure of safety to break free from, just a yearning for love and nurture and comfort.  If there are no parents with the ability to meet your needs now you may turn to friends, lovers or various addictions, no doubt repeating the same insecure attachment patterns you grew up with. To begin the journey you must let go of the ‘too good parents, but how can you do that if you don’t have them to begin with?

It is possible to cultivate the nurturer archetypes in oneself. I believe it takes practice and repetition – visualising and imagining what that delicious safety must feel like, the warmth, the love, the unconditional nature of the bond. Hold it, feel it and then let it go, bearing in mind that none of the fairy tale orphans wanted their good parents to die, but they all had to let go of the ledge to experience free falling.

There is mourning here, because with loss and life shattering change there is always grief. If you grew up with insecure attachments to your primary carers you experienced that loss over and over again and developed protections against it. You may be chronically tired – chronically mourning the loss you suffered repeatedly, continuously. It is perhaps similar to re-living a nightmare every night. With every new attachment comes piercing anxiety for the inevitable loss. Perhaps you avoid attachments all together, or chase them, or perhaps you have closed off against the pain. Either way, acceptance is always the best medicine.

Of course, I speak from personal experience, and in exploring this archetypal journey I’m treading on my own damaged emotional nerve-endings. This is an attempt to re-wire my brain, to heal my damaged or under-developed archetypes and to move past the acute pain.  I have transferred my often unmet childhood needs for love, attention and nurture onto lovers and particularly nurturing friends, repeating the same painful cycle. It is so hard to cut yourself off from people you feel you need. It is a terrible sacrifice to let the ‘too good’ mother die, but one that is necessary in order to break out of the dependency cycle. I suppose it’s a bit like psychological weaning; it creates the space for solid sustenance and growth.

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Inner Tyrant: the evil stepmother archetype

“Wicked Stepmother” by Christy Norris

She appears in numerous fairy tales: cruel and ruthless, miserly yet unfairly generous to her own ugly daughters. She feeds the greedy, self-pitying elements of the psyche and starves, neglects and abuses the innocent children: Hansel and Gretel, the good and beautiful Cinderella, Vasilisa, Snow White.  She is a terrible parent to the psyche: insecure, desperate, plagued with fears and loathing; she is murderous.

She is the cousin of the wicked witch, the sister of the predator. Like them she is a shadow archetype, but unlike them she resides in the house of the personality while they attack from the outside.  She is the inner voice of negative self-talk, the self-criticism, self-deprecation. She seeks to control the good and innocent elements of personality because she is afraid. Of course, not all stepmothers are evil, and birth mothers and fathers can be just as tyrannical but the symbolism of the stepmother archetype is one of severance and separation: she represents a fracturing of the psyche that is difficult to re-integrate.

Just as in the personality these shadow elements come from fractures and suppression, in society the repression of femininity has led to the demonisation of strong women. Strong women are often discriminated against.  Female politicians, prominent feminists, and leaders are judged on their appearance and personality, their very femininity is called into question time and time again. They are shaped into the evil step-mother or the witch, representing, in the outside world, this part of the psyche that is so difficult to manage. She is the product of misogyny.

In Cinderella and Snow White she is defeated, with the help of dwarves or the fairy god mother, but ultimately by the prince.  From a feminist perspective, this story is achingly patriarchal, complete with the happily-ever-after ending. A woman cannot save herself, she must play the role of the helpless victim and await her rescuer.  From a symbolic perspective the prince represents the animus of a woman’s psyche, although this strong defensive archetype need not be a masculine.

In the story of Vasilisa the Wise, as told by Dr. Clarissa Pinkola Estés, the young heroine defeats her cruel step-family with the help of the little doll her dying mother had given her, symbolising intuition.  The stepmother’s plot to kill the sweet and uncomplaining Vasilisa was to send her into the forest in search of fire from Baba Yaga, the terrifying witch-crone. With the help of the intuitive doll Vasilisa is able to complete impossible chores and return home with a fiery skull on a stick. This burning gift of awareness watches the stepmother and step sisters all night and by the morning they are burnt to cinders.

The evil stepmother archetype and the process of burning up one’s inner tyrant through awareness and observance is reminiscent of Eckhart Tolle’s ‘pain-body’ and his advice on dealing with it.  The pain-body concept is the tangle of emotional damage everyone carries around with them. Sometimes it is dormant and sometimes it is active. It seeks to feed itself through creating drama and misery. Tolle advises close observance of the pain-body, and the cultivation of self-awareness, in order to overcome it’s controlling influences.

Astrologically, as the pathological parent, she resides in the fourth and tenth houses, in Cancer and Capricorn, in the afflicted Moon and Saturn.  She is cunning and resentful as the dark side of Scorpio, Pluto and the eighth house can be and she and her daughters’ gluttony could be represented by an unruly Taurus, Venus and the possessive second house.

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The Bone Collector: the archetype of ressurection

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In Women who Run with the Wolves, Clarissa Pinkola Estés begins with the story of La Loba, the collector of bones. The old woman, the crone, who carries a cure for everything. She stops and digs in the desert for a fragment of wolf skeleton and then, as night falls, she lays out every piece of the puzzle. As she chants and raises her hands flesh and sinew bond to the frame and fur materialises. The wolf breathes into her resurrection. She leaps up and runs towards a horizon. Halfway there she transforms into a laughing naked woman who disappears into the wild.

La Loba, much like Baba Yaga, is terrifying and magnificent as an archetype.  She is powerful and unpredictable and she doesn’t take kindly to bullshit.  If you are lucky you may see her at sunset when you are tired and thirsty and she may take a liking to you and show you something for the soul. In this story bone symbolises the parts of self that cannot decay, that cannot be destroyed, that remain. Bones symbolises the soul. Inspired by  Estés, I would like to tell another story. The story of a different bone collector.

Once there was and once there was not… a woman, a girl, a child, a maiden. In the darkest of nights she was shattered to her core. The pieces of her flew far and wide finding homes in other people, broken people, every piece, a small fragment of bone. A ghost now, a hollow shell, she summons her remaining energy to cast a spell – the kind all women know in their deepest desperation.  She creates the illusion of bones and flesh, of perfect, shining wholeness. Only out of the corner of your eye can you see the cracks show through. The spell makes her forgetful and blind. She stumbles around in the dark, looking for something to quench her thirst – the deep thirst of emptiness. She finds a boy, a man, a lover, and drinks of him. She feeds him more than she has in return and weaves, unconsciously, a spell around him – the fairy tale of a life, a happy future.  She gives too much and drinks all there is until the illusion vanishes, to her surprise, and all is grey and meaningless. Both she and he are devastated but there is nothing she can do to help. She must move on but as she turns to leave she catches a spark out of the corner of her eye: one thing left that is worth taking. She plucks the silver stone from his chest, her own fragment of bone, and leaves the crumbling ruins of the illusion. Slowly she wanders and the cycle repeats over and over. Every encounter seems much the same, every person reveals a little more of herself…

I’m not sure how this story ends. Maybe the girl becomes La Loba, maybe she eventually finds, through gathering the pieces of herself, some kind of wholeness that allows the spell of illusion to be broken.

Astrologically bones are ruled by Saturn and illusions and delusions by Neptune. There is something particularly Saturn in Scorpio about the re-claiming of fragments of bones through intimate encounters – in discovering the self through the mirroring of other people. This kind of projection also relates heavily to Neptune in the 7th house. Those of us with this natal combination are wonderful projection-artists when it comes to relating and relationships.  Neptune also embodies the wholeness of surrender and the final, 12th house, stage of the journey. Neptune’s native sign of Pisces is also heavily connected with Resurrection (Jesus fish). So in this story Neptune is both the obstacle and the goal.